ALVIN SNYDER

My Selected Works

The Mary Poppins department of government. The Washington Post
A first-person account on how the world was told about the downing of this flight. The Washington Post.
Before TV satellites, Nixon surrogates were sent packing to Peoria, Bozeman, and Duluth, to spread the word. The Christian Science Monitor
Cuban Americans Are Best Equipped To Duke It Out With Castro. The Miami Herald.
Books
An insider's perspective during the crucial years of the Cold War, from the front lines of pitched battles with the Soviets to win hearts and minds.
Magazine Article
Newpaper Articles
The U.S. plays "Hugger-Mugger" during the Cold War. The Washington Post.
Newspaper Article
The terms "au pair" and "nanny" are not interchangeable. The Washington Post.
It was an ugly two weeks for TV News The Washington Post
With each new administratiion, the White House Office of Communications grows ever larger and seemingly less effective Scripps-Howard News Service
Knight-Ridder News Service
Newpaper Article
The U.S. itself is not an equal opportunity employer The Christian Science Monitor
Our CBS News team at Cape Canaveral, Walter Cronkite second from right, I'm next to him with media badge. Don Hewitt, second from left with headset, would originate program "60 Minutes."

This is the Columbia Records album that I produced with my CBS News colleague, Sheldon Hoffman, and Fred W. Friendly, President of CBS News. The album won a Grammy for us as "The Best Spoken Word Documentary" of 1966.

That's me on the right, not to be confused with President Reagan, or USIA Director Charles Z. Wick in center, at the White House.

This was a CBS News program and record album about the most famous news studio in broadcasting, studio nine, produced when CBS News moved to another building in New York, and the old studio went dark. I produced the broadcast, also made into a record album. Lee Hanna was executive producer.

A CBS News broadcast and record album I produced in memory of Edward R. Murrow

Say, hey - the great Willie Mays, and me, at the U.S. Information Agency in 1987. Willie helped us acquire sports films and videos to tell America's story abroad.



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Biography

I began my broadcasting career as a desk assistant at CBS News in New York. I was a "gofor;" going for coffee on the overnight shift, changing paper in some 15 news teletype machines, and writing practice news scripts to hopefully impress CBS News editors, correspondents and management. One morning a snowstorm delayed anchorman Harry Reasoner from getting to work on time, and I wrote most of his morning news broadcast. That led to my being hired as a vacation replacement news writer, and several months later I was put on staff as a CBS News Writer. For the next several years I worked with two of the top editors at CBS News, Ed Bliss and John Merriman, during heady times, when CBS was known as the "Tiffany" network.

I wrote TV and radio news broadcasts for CBS News correspondents including Harry Reasoner, Richard C. Hottelet, Robert Trout, Ned Calmer, Dallas Townsend, Douglas Edwards, and others.

I would be promoted to News Editor, then to Executive News Editor of CBS News and next to Executive News Producer. During my 11 years at CBS, I was also the Executive News Producer for WCBS-TV, New York, the flagship station of the CBS TV Network, where we enjoyed a multi-year run as New York City's most watched TV news station.

I was particularly pleased to win a Grammy, together with CBS News President Fred W. Friendly and Sheldon Hoffman, for producing the now classic two-volume Columbia Records album, "Edward R. Murrow: A Reporter Remembers - the War Years." It won a Grammy as the "Best Spoken Word, Documentary or Dramatic Recording" of the year. Several documentaries that I produced or co-produced were made into record albums by CBS/​Columbia Records.

One day at a luncheon in New York, Bob Wood, then President of the CBS-TV Network, remarked that a friend of his, Herb Klein, was looking for a TV expert to help him and the new President, Richard Nixon, at the White House. Bob said he was especially impressed with a broadcast I produced that he had watched the night before featuring news correspondents reflecting on the year's top news events. Bob said Herb was looking for a TV news executive to help him put together the first White House Office of Communications, to better manage the information flow from the Executive Branch of government.

The idea of such an experience from within the White House captured my imagination. I agreed to see Herb, who came to New York to chat and a few days later he called to offer me a job.

It didn't take long to develop so-called "Potomac fever" working at the White House, and I would be there for the long haul.

My office supervised the placement of White House and Executive Branch spokespersons on national and local TV and radio news and public affairs broadcasts. I also served on White House task forces regarding the future growth of TV satellites, cable distribution, and public television.

I was promoted to Deputy Special Assistant to the President, visiting more than 20 countries as a member of the Presidential advance team that set up various aspects of the President's trips abroad and within the U.S.

In Washington, I was the White House Press Office liaison with the network TV news bureaus on coverage of the President's Oval Office addresses to the nation. The most famous broadcast, of course, was President Nixon's speech to the nation August 8, 1974, where he announced his intention to resign as President. I was one of a handful of White House staff in the Oval Office for that speech. I wrote an article about that event for TV Guide entitled "The Final Minutes," posted on this Website.

Immediately following the President's televised speech and throughout the night I worked with Vice President Ford's team and the CBS News production crew, whose turn it was to "pool" White House news events for the broadcast networks. This included President Nixon's televised farewell address to his staff from the White House's East Room the next day, followed by Vice President Gerald Ford's swearing in as President.

I remained on the White House staff two months into the Ford administration during a transition period. I became a TV producer at the U.S. Information Agency, where I worked on a monthly series of 35 mm films about America entitled "Vision," shown throughout the world in movie theaters. I also served as executive producer of an international Bicentennial TV broadcast carried in multiple languages by television networks abroad.

Next to the Mid-West for 6 years as executive news producer of the NBC network's owned-and-operated TV station in Chicago, WMAQ-TV, and as news director of WLWT-TV, Cincinnati. I returned to the U.S. Information Agency in 1982 as the Director of its TV and Film Service.

There, I headed a worldwide organization involved in news and information TV and film production, program acquisition and satellite delivery systems. The worldwide interactive television network, Worldnet, that we inaugurated in 1983 was called by the Washington Post "The Jewel in the Crown" of President Reagan's international public diplomacy efforts. During a six and one-half year period I traveled to some 300 locations throughout the world where we installed satellite TV facilities and promoted joint TV ventures for the U.S.

It was during this period that the U.S. and the Soviet Union were competing for the hearts and minds that I write about in "Warriors of Disinformation" (Arcade Publishing). I wrote the book as a Senior Fellow at the Annenberg Washington Program in Communication Policy Studies.

In the private sector my TV production companies introduced satellite communication techniques for getting information into commercial TV news broadcasts in the U.S. and abroad. I set up a national TV satellite news feed service called the Modern Maturity TV News Service for the American Association of Retired Persons. I also introduced the concept of video news releases (video versions of press releases)and satellite media tours (touring the country by satellite in a couple of hours rather than by conventional travel taking days or weeks). For 15 years my company produced more than 150 television projects for the National Geographic Society, including its divisions for books, magazines, and television programs, and for other prestigious clients.

Later, as Senior Fellow at the University of Southern California's Center on Public Diplomacy, I lectured and regularly blogged on the Center's Website. My blogs about the Arabic channel Al Jazeera and other regional and international broadcasters were published by English language dailies in the Middle East including the Middle East Times, the Arab News and the Jordan Times, and the BBC News Service.

I'm a member of the Authors Guild, the Writers Guild of America East, The National Press Club, the Federal City Club, and the Radio-TV News Directors Association.


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